parrots are swirling in my studio

Redandyellowparrot

fire lilies are also blooming.  when I made one of my first flower essences from this plant back in '99 I was guided to name it Glowing Mystery. 

Firelily40420

This week my alternative to an annual early summer stock up shop at Blick in the Fenway or Central Square arrived as an online order.  I'd been contemplating stocking up on some of my most-used creative staples for almost a month now.  Finally went ahead once I got an email notice that all the brick and mortar stores were closed until further notice. 

In the time I was filling my cart (I cogitate endlessly when I shop for just about everything - either in person or online)  other artsy types were panic buying all the things you'd want plenty of if there were children stuck in a house.  Hence I had to pinch hit with my first choice of glue sticks.  Everything else I sought was in stock although the larger amount of hinged linen tape only had 2 boxes left before I purchased one of those. 

Newpencilsblg

Need vs. Want - the art supply edition.

 The only two I really 'needed' above (and even by loose definition need here is really right at the line of adamant preference) were the coloursoft mid-terracotta pencil and the inktense sienna gold  The latter pencil is chronically sold out over the winter holidays.  On this far less celebratory occasion the other artsy people who reflexed the way I did after they got the flagship email turned the only 15 left into Hurry! just three remaining! by the time I'd completed my deliberations.

the other pencils I didn't need just felt like an enjoyable spring drawing palette to me.  I didn't know much about the particular product lines of most of them.  And it was a relief to be curious and a little preoccupied about something that didn't in some way have to do with our viral commonality.

Theroundcollagebits

One of the living adjustments I started embracing week before last involves going to bed around 3:30 a.m. and getting up between 10 and 11.  This has been my ideal sleep and waking schedule since my mid-teens and as I readjust and feel my body relaxing into the compatible shift I'm deeply grateful it was a workable option.  The hour between 1 and 2 am often feels especially switched-on and kinetic.   This makes sense since I was born at 1:29 and have noticed we often seem to have a special energetic affinity for our birth time of day or night. In the past week I've been finding myself immersed in things I've been meaning to do for a long while but something about the plan was problematic and so I put those ideas off to one side.  In the case above I spent the wee hours of this particular day deconstructing a personal power shield I had glued to a 4 foot diameter circular wood table top a neighbor put out for the trash back in '92.  I saw him rolling it to the curb and was there to roll it over to my house before he was back up the steps of his porch.

I want to remake it as a garden mandala that's more paint than paper based.  For now I just pried-off the things that were willing to be pried-off.  Most items I re-claimed are paper-based.  Many are more ripped than I would have liked because in and around the collaged paper images there are many jagged fragments of a broken mirror.  I had to make a choice on the spot - to wait until the other side of sleep, don work gloves, and try to pry the mirror pieces loose before removing the paper beneath it. 

The visual idea I got for re-using the paper elements suggested the ripped bits will have far greater eloquence.  I felt truly excited by it and more like a pre-pandemic Acey than I've been since mid-February.   When I woke up it seemed as if I was already thinking about it.  Also enjoyed replaying the imagined tape of what I must have looked like down in my basement determinedly prying paper and shells and small clay concretions off an enormous wood 'shield' studded with sharp jagged pieces of mirrored glass.   When I was doing it I called out softly to all the other sleepless creatives: 

I see you! I'm here too!

Rattleandrock

Yesterday I brought my turtle shell rattle up here in order to shake out some grief and high wired anxiety residue.  It's so powerfully obvious that we're all evolving at a rapid enough pace to leave ephemeral shed skins all over our environments.  This week has brought me an ongoing sense of more active sea changes that are part of a collective evolutionary integration. Guess that's another way of saying I'm learning how to step out of my internalized subjective reality enough to get back to plugging into something larger - something I believe in with all my heart. 

This is a relief.  And saying as much is one of the bigger understatements of my personal world during the past month.   Every day is its own learning curve it would seem.  Speaking of which - I'm showing up for jude's Large Cloth presentations every day for as long as it goes.  Giving the experience full focus and ongoing consideration.  Making my own large cloth of choice the Young Girlhood quilt I've been stitching off and on since I brought it out with intention of finishing it.  I like working on it in the later afternoon.  So that's what I'm going to do right now ...

Redyellowparrot


Solar/Lunar polarity

Inanna

ETA:  Some first rate writing from Molly Jong-Fast in Vouge Why I Am Not Leaving New York. 

word tincture is becoming THE currency rather than ancillary background to image as All.

Back in the mid & late 90's I had several UK friends who were quite gifted astrologers.  Each felt that my natal chart "explained everything" -  whatever that may have meant to them when they said it.  Most other remarks/insights were far less cryptic. The most consistently on-point and directly relatable to my life came from a woman who understood the best way for me to both know myself and consistently play to my strengths was to set a course of ongoing pragmatic activity that was nourished by constant meditation on solar-lunar polarity and how necessary it was to seek impeccable reflective balance one into the other.

One thing I've been doing ever since:  Begin each shift of seasons by drawing a solar and lunar card to represent energies that needed and deserved my attention for the season.    I used to work with the Motherpeace tarot major arcana but for years now I've been using Susan Seddon Boulet's Goddess knowledge cards from Pomegranate Press.  As winter shifted into spring I was somewhat delayed in finding the time, space, and centered frame of mind I ask of myself for this slow-down-and-root-Beyond ceremony. 

Yesterday I gave myself moon-in-Taurus rooted energy.  Spent all my studio time cleaning, sorting, and figuring out creative uses for (or storage of) things I'd planned to take to our town dump's freecycle station.  They shut-down recycling until further notice and I doubt they'll re-open freecycling at the beginning of May.  Or maybe ever.  Spent all of yesterday contemplating the shift of my personal expectation/needs sliding scale.  This proved more enormous than I would have imagined.  But eventually it led me to centering enough to recall I had yet to pick spring cards.

Hina

My solar draw was Hina.  I am aware of her place as a Polynesian creatrix goddess and have certainly admired this portrait thousands of times but have never pulled the card so far as I recall.  a snippet from the back of this card:

Hina is perhaps best known as the woman who lives in the moon...[She] represents that part of ourselves that creatively brings forth nourishment even in the midst of what appears to be death and decay.

Flora

Lunar draw - Flora aka Flourishing One.  This goddess presides over nature and the spring season as well as that phase of the human lifespan.  She is extremely familiar to me but I've never drawn her from this deck.  Was ruminating on that over the course of last summer.  When I pulled the card I took my time reading the card's text and how it connected to this particular moment of time.  Thought a lot about how Floralia - often presumed the beginning of the Maypole ritual - aligns with a time in our impending collective experience that hinges on people paying attention to life/death information that's being actively shuttered on an ongoing basis. 

I also felt validated in my sense that my own personal emotional/psychic/mental health depends on seeking out corners of suspended pleasure and joy throughout the day and evening.

Flora teaches us to honor growing things, both inside and outside us.  She is a reminder to pay attention to pleasure, to the beauty of spring, and to new life, wherever it is found.

Artistaltar

Meditating on this pairing guided me to resume and complete the re-building of a long artist's altar here in the studio.   Solar and Lunar energies and talismans are fairly even in distribution.

Crowfeathers
Last night and this morning I completed the finishing touches on this space.   Have also selected the below pairing as my studio reading material for the month of April and beyond.

Booksforapril

How is everyone else balancing their own forms of inner/life/creative polarity in these evolutionary times?


piece by piece .1

Crazylimpetcrystalnest

I'm still having trouble making friends with my radically altered attention span.  As in:  I don't know what in the hell I'm supposed to do/accomplish without one.   And since that symbiosis has always been one of my defining characteristics I'm forcing myself to think farther out of the box.  To apply lateral right brain un-logic as a way of making each day consistent within some type of ongoing theme here in the studio.  I figure if I string enough seemingly disjointed actions per day into an ongoing chain I will eventually see there's been cohesion even in seed form.  Such is my plan any way.

  The two piles of complete and incomplete hand stitching output that I brought over from the house are guiding me closer to some new form of process.  Simply by being grouped as they were at whatever time I left them in the room they give my consideration of them a structure.  That means I'm currently organizing and evaluating my stitched-based creations in layers of time as well as technique.  And that's allowing me to also discover themes that jump the track of their specific linear timelines.

*** 

Embroidery and I have a long and entirely happy history.  About fifteen years ago I began to understand I was doing the work I did each day as an ongoing sense of forever-inadequate penance borne of very deep rooted survivor's guilt.  Something so glaringly apparent also came as a shock to my self-perceptions.  Once I more fully understood how profoundly guilty I felt to have survived a series of things that many people do not - I questioned the reason, wisdom and purpose of that survival. And in the absence of clear-cut answers treated myself impatiently and without due compassionate consideration for a good long number of years.  Understanding this part of the healing process was non-negotiable I focused on finding ways to gentle-down at least the edges of what proved to be relatively successful sub-basement psycho-logical excavation.  

As an outgrowth of finding some semblance of imbalanced-balance I started exploring the what-if of early retirement and all that implies.  What else might I do with my time that was a lot gentler and mindful of the fact I had virtually nothing left to prove about what I could "take" without total collapse? I mind-mapped what that question evoked for me in the form of a colored pencil freehand mandala.  I drew the mandala as if it was composed of embroidery stitches.

Butterflypansy

This activity prompted led me to explore/research contemporary embroidery classes being offered here online.  I had some killer books on the subject but such is not always sufficient for those of us who need to ask questions that are answered in order to fully learn so it sticks.  I chose Sharon Boggon's Creating a Personal Library of Stitches.   Subsequently took a heavenly texture-oriented embroidery design class with her as well  - and a studio workhorse journal that's been pivotal in how I keep track of my creative surges and burn-outs.  To this day I am off-and-on obsessed with her blog and following the links she posts.   The details featured in this post are from a crazy quilt block I made specifically so I could refine my understanding of certain stitches that I really came to love during her embroidery classes.  In the linear timeline sense this piece is an outgrowth of the initial Library class.

 I chafed against (and swiftly abandoned) the first Recipe Rule of contemporary crazy quilting: first we cover all the seam lines.  The fact that I wandered off that course soon into things, and that the foundation block itself was machine sewn, means I can conceivably cut it up in ways that preserve both the hand stitching and good structural support.  I can work with just parts of it arranged either vertically on birch board or more horizontally within a book.  Am on the verge of thinking I may have realized at least the cutting apart option in the past but didn't have a concrete plan or spark of vision.

The other alternative I've kicked around over the years we've lived here is to simply join ALL my elaborately embellished fiber arts pieces in a continuous horizontal strip.  Cut that into workable sections for our wall spaces and then rotate in different places /stored resting time as mood and situation require.

Twoshellseque

The palette and feeling tone of the piece is so relentlessly purple because it was born when my son reached an early teen phase of noticing things about me that he would sometimes speak of if he thought his observations would be helpful.  And they often were.  In this case he'd noticed that although I loved the color purple and often got a little delirious if we visited somebody with a purple themed flower garden he'd never seen me sew anything containing much purple.  I said it was because some - in fact a lot - of people don't like purple at all.  He waited until I looked up into his silence and our eyes met.  We said in unison but I/you am/are not one of those people

Sunandmoon

In response I began this piece which vexes me in the disparate arrangement of darks appearing in hulking clumps and tone-deaf application of the underlying crazy/scrap quilt principle the Old Nanas of my older childhood lived by:  don't pre-sort.  life's more exciting that way.   At the same time this working evokes a sense of love.  It continues to inspires me because so many successful what-if's are involved.   And I really do like how it came to exist and the memory of our son-to-mother conversation.

Crazyworld

I will cut it apart for sure.  Maybe.  Perhaps just cut apart the bits I'm most drawn to working with in a different way.  Hmmm. Bulletins as and when ...


resiliency .2

Heartcenter

Am sitting on the couch watching snow flurries through the big front window.  Above is a close-up of the flaming heart I recently unearthed.  I hadn't done more than in the ditch foundational quilting so I devised a learning challenge for myself.  On the right hand side of the heart I stitched patterns that followed hints of ripple in the silk gauze taffeta and dupioni .  On the right I picked an organic shape of moving water cooling the flames of the heart's receptive side and then quilted around it.  I see now that any stitching pattern at all will produce the overall rippling call and response of the fabrics.  Have always in the past assumed the nature of the fabric dictated the rippling rather than the ongoing tension of the stitch.  Seems so obvious but all the same that's my enlightening moment from yesterday.

StitchingheartIP

I'm going to finish this center portion of the quilt by sewing gold beads to the orange center of the yellow starbursts above.  Am very grateful my bead stash remains sensibly stored and sorted by color with a fw "special" mixed bags of equally special beads made of stone, clay and wood.  Have been collecting them - with sporadic devotion to using vast quantities - since my early thirties.

J. just called from his office in the house to tell me our state governor has issued stay at home orders effective tomorrow.  He's going out to fill the tanks in his truck and my car in case they close or severely limit gas purchase for non-essential vehicles.  Am relieved to have the question of when answered at this level.


resiliency .1

Forgottensewingtin

Yesterday was largely recuperative without sacrificing a steady stream of small accomplishments outside, in the house, and here in the studio.  The years of debilitating physical illness taught me that small and steady is the only way to fly. The trick is to have enough faith in the process that it sustains commitment to maintaining both small and steady in an ongoing way.

Yesterday I asked my morning self how I could become more comfortable with a shorter attention span and more fragmented abilities to focus on any given activity or thought-problem. Then I had a day of answering the question by simply making note of how I flowed from one activity to another.   What I was drawn to eat or drink and when.   And - as always - how elastic time becomes whenever routines-of-running-around come to a full stop.

Within time's suspended animation I had a pivotal epiphany about how I set up my creative life prior to brain trauma. This is key to helping me properly sort out the rest of my studio space.  Had previously reached the conclusion I had innumerable boxes and tins and a few plastic shoe boxes crammed full of seemingly random creative supplies because I didn't inherently understand how to organize things 'properly' and was too impatient to learn.  But in yesterday's early evening I finally grasped what should have been obvious:  I mixed up my supplies so in the event of a drop-and-run emergency no matter what I grabbed-up in a few precious seconds would leave me able to make any number of different things from what was inside. 

Everything

Last night I discovered a long-overlooked supply tin holding the above contents. I decided to take pictures because I knew the process of setting them up would help me organize the grouping at a mental level.  I can tell just by the goldeny velvet circle in the center, the strip of turquoise dyed suede and the collection of threads in the upper right corner that this grouping evolved from Jude's second Cloth to Cloth workshop followed by the heart-oriented class.   Also had previously imagined I'd permanently lost the hank of faceted sunstone beads.  Reuniting with them has been outstanding!

Rosequartzstonefish
In the now, of course, preparing for a potential need to grab and go has been replaced by keeping still.  Isolating one set of possibilities and potential in order to to discover working with what's on hand at a whole new psychic decibel range.  This particular sewing box is destined for considerable retrofitting in order to make it functional.  For starters it needs a scissors and wider assortment of both pins and needles.   Some kind of straight edge marking device - maybe a six inch quilter's square.

  What I assemble will then become my working sewing box over in the house.  Raw supplies that don't fit my evolving needs are being reabsorbed into the relevant storage containers here in the studio or within the single plastic tote of fiber arts related supplies that will continue to live in the house.  House-based/dining room table/downstairs bathroom creativity becomes important to me during the parts of summer when it's simply too hot to be up here.  And have found stitching is easiest to pick up and put down in the spontaneous rhythms of the Outside seasons.

Beeswaxetal
While I was deciding how to best utilize the tin's oddly shaped space I had the sudden awareness that I'd learned to keep these kind of storage tins from The Sisters  - Grace & Pearl - for sure.  But more vividly and sensually I got it from my mother.  As a child I did what many of us do with off-the-rails Living Large if only in their own minds parents.  I mythologized her behavior and did everything I could to reframe it as mysterious rather than alarming and cruel.

To that end I spent a lot of clearly recalled time sitting on the splintered floor of a strange set of closets built between our two bedrooms.   I'd sit there as silently as possible - cradling a carved rosewood box I still have - and silently commune with the contents of the box in my arms.   They fascinated me.  There was liquid kohl in a small wrinkled tube and five or six mascara brushes.  I had no idea what they were until years later.  

Deets1

What some women would have kept as a straight-up makeup box became more of a magic carpet in my mother's hands.  She'd included a few gaudy shoe buckles I recognized as belonging to my grandmother.  Years later I'd hear her tell a neighbor lady who hung on her every word for almost 20 years that she'd 'filched' them from Pearl's traveling case so as to keep them from appearing at an impending wedding rehearsal dinner.

There were tiny pine cones and glittering chips of semi-precious beads from a number of broken necklaces.  A political button expressing support for McKinley that I've kept in the box all these years.  Paper scraps in her handwriting loaded with various writing ideas.  There was also a tiny red datebook from the year 1955.  It felt wrong to read it (and this remained true up until just four or five years ago) but I always sat with it pressed tightly between my palms.  Trying as best I could to create mystery and magic that could hold me steady during times when she frightened me into a state of silence for any number of reasons.

Introspection related to more tangled family roots seems like a luxurious albatross a lot of the time.  The self-involvement level of traversing and untangling every nook and cranny one encounters is, for me, achingly exhausting to maintain.   Although there's always an underlying context of fear involved with anything that speaks directly to our physical and cellular connections I'm also pleased on a daily basis with the positive and most meaningful ways I was shaped by my mother in a manner I authentically treasure.  

Clothshelves

Most of my fabric stash is quilter's cotton I collected between '87 and '05.  The latter date has no real significance in relation to compulsively gathering fabric in preparation for the stage of life I'm now in.  I simply knew Enough when I saw it.   Not all that long ago this collection was color sorted with separate 'category piles' for florals and leaves, specific topical themes etc.  When Mama first made it clear she intended to become a full-time studio companion I started shifting piles all around so she could nest and get her bearings in the first and second shelves.  The color coding system is still discernible but it's scarcely well ordered.  The unique pleasure of working and dreaming in the company of a studio cat is worth the shift.

The larger point is that I took most of yesterday to actively ground with outside work and time by myself here in the studio in which to feel raw and untested.  By last night the bedroom floor was empty and I'd put some drops of lavender and tangerine essential oils in the dehumidifier water.   Also put thought-time and just-being into the small third bedroom.   I'm glad to have liberated space so that it becomes a satellite evolving sanctuary of a room, as I originally envisioned it might be.    As we adjust to all being here all the time I've noticed this space becoming something of a small-scaled family room.  The atmosphere is livelier and more communal without the rolls of finished/not finished handwork and stacks of raw supplies absorbing so much vibrational energy.   Noticed that within hours of learning everything I'd removed wouldn't be coming back in the room T. began organizing his friends so they could have virtual meet-ups in the afternoon and evening.

Life's not good given larger contexts but it's definitely workable and contains many moments of sustained grace. The luxury of  being able to work a tiny piece of land is fomenting inner resilience and relative ease (so far) in returning to a place of inner equilibrium a lot more organically possible than I might have imagined when I didn't know what to imagine, really.  

for now we wait and sow seeds.


private chaos .1

Notsoprivatechaos

eta:  by the time it was tonight and T. was at last home from the end of his work shift until whenever, I was able to sincerely make light of my freakout.  J. was mainly on the stuff all over the floor track but T. quite kindly informed me that typhoid is a bacteria and that was what required so much burning.  Thought that was rather chivalrous of him.

Above is an unapologetic image of how my corner of our bedroom looked this morning before I had a few hours to contemplate and then begin to implement organization. The melange of finished work, WISPs and 'raw' cloth looks a lot more coherent at the moment.  My quest for this day and early evening  weekend is to have everything organized and at least most of it successfully relocated and stored up here in the studio.  As an unexpected bonus a box of family relics that's currently lurking in the studio will be going into the closet that used to be too full of everything above (but the pile of jeans and my bathrobe) to contain it.

Fiftyquestionmark

 Every now and then it's good to examine the contemporary embroidery sampler I made to commemorate my fiftieth birthday.   I worked on it mainly in a weekly stitching group that met just across a modest parking lot abutting our side yard back at the old place.  Other members of the group really liked the question mark factor.  It had been unplanned.  I merely "saw" a spiral of half a Century releasing an unexplored seed of promise courtesy of a beneficent cosmic Beyond.  The question mark overlay has come to mean a lot to  me over the past dozen years so.

Clothtoday

I'm sharing these particular words and pictures today because somebody known and accordingly cherished for her quiet wisdom suggested it might be good medicine for us to afford each other peeks into our individual scope of private chaos.  Specifically as we all evolve into something we've yet to become.  Indeed - here we all are in uncharted waters.  About to experience something unprecedented - and here in the US going through a profoundly unsettling existential crisis in an unpresidented condition.  While also constantly shedding layers of what simply isn't relevant to moving forward.

Hence the reason all this stuff is in my bedroom piled up like somebody was running for their life.  Right before I fell asleep for a few hours I thought:  what if one of us has to be sequestered in that room and then we have to burn ALL the stuff (as with typhoid) I've made and/or hoped to complete before

The End. 

Openstashboxes

That particular question mark woke me up and adrenalized just enough of my motor control to get everything cloth-related out of the room right then and there.  Also had the presence of mind to create a safe path around the bed's corner.  Only then did it feel safe/prudent/advisable to allow myself to rest.  When I woke up this morning I thought this abrupt change in life/style/focus is dis-ordering our minds because any real organization of thought in today's world has grown more precarious than most of us can realize or fully understand.  It was a daunting a-ha moment and I was pleased to burrow back closer to sleep until J. arrived home from his first foray into early seniors shopping hour.  He told me he was the only one he encountered who seemed to be actively practicing social distancing protocol.  

Alicesguesttowel

Above is a fragment of family predecessor Alice Mary's perfect needleworking skills.  She for whom I was named looms large in my sense of who I am not.  And that's a sentence that never would have occurred to me before perpetual crisis mode changed the kind of thoughts I'm having. A few are fairly astute - like my Alice Mary realization.  But a lot of them feel like lost ants who can't find the scented trails that will lead them home to the safe core of their society.

  I find it very uncomfortable to be unable to sit quietly with a thought or difficult feeling and slowly unwind it.  Sitting quietly belongs to a part of myself that reflexively packed itself away while in my first rush of baseline survival instinct.  Am now thinking that earliest part of my process might have been overly efficient because I've no clue at all how to be or what to do in the absence of longform attention span and ability to focus well within it.  It's something that hasn't been a problem - not even after sustained brain trauma - since I left my mother's sphere of influence back in my late teens.

All the same A is for Anxiety is back in a way that needs unwinding and sustainable deconstruction as and when necessary.  The other night I had two back to back 'attacks' (first since Kavanaugh shouting on that horrible summer afternoon ...) that went unnoticed by the household because that was what I deemed best.  And must have imagined I could rely on as a game plan moving forwards: Oh don't mind me.  I'll be upstairs out of the way freaking all the way out in a dark room by myself.

  As reality unrolls I have uncomfortable portions of each day where I confront personal unraveling in ways that make me realize I spend a lot of unacknowledged time thinking about what's best at the widest scale possible.   But this global situation - while embodying wide scale by definition - is also a spiraling-down process that pushes into the core of our sense of individual self as well as our sense of community, culture, and how close to larger reality we're willing to live at any given moment.

Thelittledyedpocket

Stuff in progress

In the process of sorting and folding and planning a major ironing binge fest I found things that are ready to be backed and bound for display.  Stuff to be pressed and stuff that can be finished or moved much closer to that end goal.  Stuff I can think about instead of spiking adrenaline every time I realize there's no existing plan on any level - not just my own universe of Place and family but you know - out there in the world beyond this place where we're actively waiting to be told we must shelter as best we can.

my to-hand bio/phyto-chemical self-prescription of the day and weekend to follow:  aromatherapy once the evening/back in the house portion of the day is at hand. Stitching a few easy seams on the long quilt until then.  This is not the time to compete with myself - and certainly not for the reflex reason that it's what I always do.  And you?

Bjps

[noticing big-time the way time is warping more than usual :  earlier today I asked J. if it had been two or three weeks since he started working at home.  He stared at me before replying It's just one week today.]


long solitude moon cloth

Longsolitudemoon

[I have to cut the heart out, I know.  but am not ready to do it yet.  no matter.  there are other things for me to stitch until the time feels right to sink more commitment into this unplanned Statement Piece.]

Apparently I'm coming all the way back to where I was when I first-ever blogged in the direct wake of Katrina: stitching a couple-few hours a day as a primary centering and coping mechanism.    Between that and gardening I could do a lot worse, eh?  Thank you Grandmother Pearl, from the bottom of my heart, for giving me both such gifts and life passions.  Add to that her trifecta most-favorite item of bird watching and it's pretty much my plan for how to keep my head together over the next few months.

About an hour ago I realized what I was trying to create for myself and then overlapped that insight with thoughts of what I was longing to hold in my hands as these strange times collage into their own way of life at an internalized acey-only level.  I want to make a long cloth to hang in a particular spot where I'll see it frequently.  Whatever's coming I know there will be a lot of valuable lessons and insights.  Am hoping I don't choose to move beyond any of what was offered once we emerge as individuals, families and countries.

Restlessness

  J. and I are both actively anticipating what we see as an inevitable state-wide shelter in place mandate.   Pretty soon I'll steel myself to look at MA updates for the first time today.  Then I'll go out and pull pachysandra for awhile.  Envision what I plan to create in that space.   Listen to the birds and the way human stillness is settling more fully on the landscape.


abundance of care moon

Abundanceofcaremoon

Maybe a month ago I was thrilled to finally succeed at scoring some of Glennis' magical moons.  With my order she included the above heart.  Immediately knew I wanted to pair it with a jude moon reverse appliqued inside the heart.  Further knew I wanted them to be included on the above presumed inclusion in my elaborate fabric art journal. 

But then - with everything that's been happening since, I thought I'd like to make a larger piece to serve as ongoing healing meditation and prayer centered on our shared global crises.  There are many inter-layered together.  And I think all of that deserves its own clothwork and meditational space from me.  Think I also need the stability that will come from working in this way.  And just want to say that the batik at the top is a very deep dark indigo rather than black.  What looks grey is actually blue.

The precious indigo cut-out wants to stay.  Perhaps a healing emissary sent from the moon.

Stitched the moon into place yesterday and ironed earlier today. This is my new thing.  I still do iron stuff but maybe 70% of the time now I don't do that until I've done at least a bit of stitching.  While I was at it I pressed the orange and turquoise attachment weaving sampler.  Think I'm going to mount it on a fabric I haven't searched-out yet.  Eventually put it in a slightly recessed glass frame so it can hang on the wall up here in the studio.  But maybe that kind of idea is already a dream from another time.  It's hard to say.


notions

Notions

Yesterday I had the luxury of shifting my studio back to its usual frame.   Was good to do that and better still to see the results strewn across my coffee table workspace once I got this far today.  Am planning a few hours of same right now.  Then it's back outside to the field to continue clearing the existing garden and perhaps beginning to dig up clumps of spearmint and goldenrod right in the center.  In their place I'd like to create a sunflower house. Have never done that and this seems like a good year to see what it's like.  Both to successfully make it happen and also to step inside of it.  Feel like it would be a more organic/feral version of stepping into this little place.

Sewinboxdeets

Have been thinking a lot lately about my friendship with jude and, more concretely, how satisfyingly deep and long-running it has been.  Have also been thinking about Flickr more generally and how I really loved everyone posting lots of close-up shots of sewing boxes etc.  And further thinking it's the thing I most miss about in-person sewing circles:  gawking across the table at other ladies' Things.  Asking questions and hearing backstories that draw everyone closer.  Making something that's in turn closer to the true nature of circling together. 

Larimaretc

Right now we're having propane delivered.  The driver's wearing a mask ...


holding gratitude

Gratitudejournals

This is my collection of gratitude journals.  In another few weeks it will be 7 years since I began keeping them as an outgrowth of Angeles Arrien's Living In Gratitude. Am posting about it here and now as a gentle mental & emotional wellness check for us all.

A mindful heart-centered person who wants to keep their mental and emotional equilibrium in the face of chaotic administrative distraction and a global health crisis wouldn't need to follow Arrien's year-long themed trip through the calendar year in order to benefit greatly from adopting this type of a journal.  Decided to share my ongoing process as I'm finding it very helpful as a tool to ground and center myself in the midst of so much chaos and ineptitude at the top.

Every morning when I come into the studio I open the gold notebook all the way on the right.  That's my current volume in the series.  I write the day's date and then write out two sentences each that begin with:  I love ... and I'm grateful...

I write two sentences because one doesn't always get below the surface enough for me to feel I'm truly connecting with myself rather than my automatic programming.  I only write two sentences for each beginning  because doing any more might make the practice feel less do-able as an ongoing process.  Sometimes on really really beautiful & special days I wind up 'cheating' by adding multiple items between parenthesis. 

That used to be the whole process.  But somewhere near the end of the first volume (under the current volume's left edge) Angeles Arrien died.  I was flabbergasted and couldn't fully process the news when a friend emailed in mourning.   I worked my way past such flat-out denial by surfing the web in order to read what bloggers might be saying about her meaning to them.  Her reach was so wide and deep that I found plenty. 

 I was particularly grounded to a larger reality through a blogger who shared the way she ended each day with a journaling end-note inspired by Arrien.  Her process has further structured my own ever since.  Every evening I return to the day's entry in order to complete three different sentences:   Today I was happy ...  I found comfort and balance ...  I was inspired...

This practice has taught me to understand how resilient my soul is even on bad days.  In the 7 years I've been doing this I've only had one day that was so black and depressive in nature that the only way I could push myself to truthfully complete the "happy" sentence was to write that I was happy the day was over. 

one.  day.   What that showed me about myself was not something I'd been conscious of feeling or living-through;  I think of myself as a cynical optimist at best any time our collective species is part of an equation.  I'm also someone with a history of PTSD complicated by depression.   There have been any number of times I've really had to push myself to get the sentences completed in a way that's authentic to the moment when I'm writing them.

it was only that one time I could only push in such a tiny way.  And still did push that way.

***

Last spring I fully opened my eyes to the ways my husband and I have created the kind of Place we've talked about 'having' ever since we met.  Standing on the verge of a tiny field so different from its form when we first arrived I spontaneously decided I was going to stop keeping a gratitude journal.  Instead I would simply live in a sustained state of gratitude.  I committed to the decision on the spot - vowing to let it last as long as I stayed honest about gratitude's sustenance.  I made a further commitment to feeding the intended practice high quality fuel to continue sustaining my inner soul and state of mind/heart/gut. 

***

Started keeping a gratitude journal again when the constant ineptitude, ignorance, and sadism crested-over my personal world view.  The fact that this tipping point occurred once the land was fully barren for the year is no coincidence.  When I returned to daily practice I began to allow myself more room to express the context as well as more details about my 'required' sentences.  I came to see that a journal by whatever definition is something that can and in fact should evolve.  The original intention was to create something so simple and easy to fulfill that it would become ingrained as a self/soul-sustaining form of self-care.  Now I want to linger even if it means I need to step up to a larger sized journal and let it become an everything journal that's still topic specific.   By making gratitude the central quality of life force that it's capable of being for so many of us.