gluebooking

bringing back 3 posts

I forgot to do this for the past two posts.  I picked three things that speak to my favorite solar super power(s): creative and perceptual/motivational resiliency. 

My response to a friend's emailed collage prompt that brought me back from some pretty intense brooding and other yellow-eyed thoughts: What does the sentient being who has been messing with your life the past 6 months look like...

A magical spring morning in which I found a carton containing some wonderful things by the side of the road.  People did this all summer but at the time I was thrilled with the single 'normal' experience.

In retrospect I feel like I was kind of trying to get myself into a viable head/heart balance for the days we now inhabit.

Special


Mid-Point Flow

CitrinsaluteRealized I needed a Dive check-in post so my personal life/work/review will have to wait.   Earlier today I reconnected with the hand-worked citrine point above.  It used to be double-pointed but at some correlating life-point it shattered and I don't remember how.   Have spent the past two days immersed in rediscovering how my creative flow patterns might be reconfigured following so much emotional release.   This has involved not just my studio time but developing greater flow in the house as well.  Smudging and rearranging things.  Clearing space and raising the octave levels with the coming solstice in mind.

SacralpagelitTook all these pics in the room's last fifteen minutes of direct sunlight.  One thing I noticed during the turbulent shadow phase of this experience is how much grounding value I gained from mixing up my creative approach to any given project on my work desk. 

have been greatly and great/fully influenced by grace's fabric collages.  today I made the first tentative step to go the other way - to do something I've forbidden myself time and again.  I will easily put fabric to paper but NEVER paper to fabric.  I don't know why I simply know it's forbidden. 

so today:

Paperonclothit is glued down and the fabric square is further glued down and since then there has been more paper glued around and so forth.  I will show more in the pretty soon range.  Am giving myself time every day just to stand there at the work deck and fiddle with different arrangements in this particular art journal.  The fact that I'd previously stenciled-in page spreads for the chakras seemed perfectly dovetailed towards getting myself re-involved with this particular project.  It's largely collaged based but not exclusively.

In this dwindling 'short' eclipse portal window I've been flowing in many ways beyond the studio but I notice this is where I made my basic daily choices and set my intentions in alignment with how things might well move forward.

LetitgopageMuch of an emotional/sacral backlog nature was released during the first 7-9 days of this month's process.  Several people noticed it and reached out for confirmation and affirmation in the loveliest ways.  I've felt both those things from myself - somehow managing to reconfigure a few pieces of personal mystery here and there. 

Asungoddessthe more uncomfortable the cosmic birth canal became the more I felt myself willing energy to and from the third/solar chakra.  Sometime I had to time-out myself just to get a handle of the ingrained instinct and impulse combined.   Otherwise I just wanted to ground from the lunacy about & beyond, hit my various week-end goals and then move into this new week focused on the principles of flow and intuition.  The latter feels pretty worn out from various ways it wove itself through the first two weeks.   So I've been picking up where I left off very many years ago in the practice  of daily stone work of a sacred nature.

OrangestoneshellAnd to that end I went around earlier today and looked for orange-ish stones.  Looking in mixed micro-collections in tea-cups and many different glass or ceramic bowls and larger shells, mostly abalone.  Here in the studio and through the house.  Some are quite old friends.  I thought I'd lost the Thompsonite with its mesmerizing orange eyes.  Also have been yearning for the shell and rough chip of carnelian as well as the polished oval.  Two red jasper chips - a shamanic mentor felt this to be essential for creating sheltered landing strips when actively journeying or meditating on a collective scale.

this stuff comes back to me - so much of it set aside as an excess of accumulating far more intellectualized experience and sense of self when I felt best served to pursue the opposite.  So my stones are scattered everywhere around and part of the ongoing connection to maintaining and rebuilding my red tap root/life force is to retrieve them for contemplating and beyond one energy center at a time.

WorkingtableI broke down my fictionland querent/tarot reading into different groupings of how I felt the cards' energies had been showing themselves in the rest of my life.  At the solstice I usually switch over to reading with The Greenwood Tarot.   It's a very different vibe but one that matches well with my need to connect more at a ground/roots/ancient level than something that's cosmic and future-tense driven.  That's what I need from my solar return forward.  The deck itself will undoubtedly enjoy the rest.

also I don't need any more readings for fictionland.  maybe ever at least for this book.  I've broken the full arc of the storyline down in several formats now - thanks in part to what I gained from doing the readings as intently as I have up to this point.  What this means energetically is that I'll relocate where I do the readings and can thus expand my renewed interest in stone/crystal based energy work up here in the studio.

***

Orangepensfind something orange to write with.

banish as much sacral toxicity as you can one sentence at a time.

it's amazing how the scope and context of stuff that floats loose on its own or we seek to round up because it's time to do no less shifts once the details emerge in such an inherently mood-elevating cheerful color.  Shred the results so there's nothing left but random symbols in the uplifting color.   Glue the strips down in a grid shape.   Now even your discarded emotional detritus finds a useful purpose within forming a containment system.  Fill the resulting sections with images you'd like to hold in this energy center as well as that which you know it already contains of a positive and illuminated nature.  Or just cut shapes from orange-based scraps on hand and glue them into an organized focal re-vision. Give yourself a chance to admire how different this personal check-in looks than however it would have appeared if we'd done this exercise on day two or three.

What creative/primal cave-like wisdom exists for you that didn't exist in the opening bars of this exploration?  How can you expand upon what you're learning about yourself and your own unique conduit of flow with creative inspiration?

Think about the most beautiful orange flower that you know - the one that holds the most light and vibrant orange-ray energy in your experiences and also within your heart and soul.  Make something that speaks of their magic & meaning to you.

Today I'm bringing back a post called Sympathetic Evolution.

Californiapoppieshillside


Day 30 - results

Trustyourself

(because that's where and why and how all the creative magic happens)

I'm really glad we all did this together.  I hope you are too.

  EVERYBODY did outstanding work - not just in the scope of their collage creations but also in terms of quickly establishing a challenge-based working style and dedication to their personal process development.  Despite the initial uncertainty any challenge brings it was truly remarkable to see how quickly everyone adapted to their freshly personalized relationship to this expressive medium.  By reviewing each other's efforts the way we'd all look at something together if our virtual situation was happening in the walking-around world - we each insured that every single one of us "got" something about collage that we hadn't quite put together before this time of sharing.

  Everyone - including me -  willingly trusted I'd guide them to a stationary end-point while also digging deeper into their private stashes of emotion and life experience as well as their paper collections.  Now - going forward - there's only one barometer/compass rose to be followed:

trust yourself

keep speaking truth to and FOR power

from the center of your creative soul

and every corner and crevice you discover

where true power resides

*~*~*~*~*

My faves from these days:

Dee

grace

Joanne

Liz

Marti - curendera (make sure to scroll down or click for her response to our final prompt)

Nancy

[For those who like statistics - this blog has averaged 82 unique visitors a day for the challenge time-frame.  Including myself and everyone actively involved - 35 people have let me know they're participating/following along as a somewhat regular part of their creative experience. 

The most unique visits to a single post (328) happened here. oof.  Typepad is going rogue on me right here at the end!

For reasons unknown all the [listed as published] posts aren't appearing on the blog right now.  At least not in what I can see of it here on my laptop or phone.  The post with the most unique visitors was the Day 16 results page for the garden Crone totem.  Quite a skyrocket!  Somebody somewhere linked, obviously, to significant effect.  Perhaps it's fitting that my first studio-based intention once I've scheduled this post is to paint that totem's background layer.  Last things first, as I like to say!

Not at all by design but I'm very grateful it's working out this way - I don't have to be/go anywhere that requires me to be all the way ON until Thursday morning.  Between now and then I'm planning to stay paint smudged and considerably more powered-down than I've been since ... before Thanksgiving, actually.  Yikes.  No wonder I feel so ready to shift from extro to intro mode energetically.

and I still don't have a clue what I might post on this blog going forward.  or why ...]


Day 30 morning post

Prompt #30:

Imagine our shared challenge experience has been a literal path marked with stepping stones - one for each person who participated in whatever fashion.

What does your stepping stone look like?

(hint:  what would you wish us to receive as a gift related to what you most enjoyed about collage?)


day 28 - results

 

Seeddream

My response for today's prompt references a truly gorgeous never-forgotten dream I had when I was 14 or 15.  Hadn't thought of it until I was focused on working with a very different seed representation/color palette.  While looking for something else I found some of my very first deli paper prints.  Both examples in the above's background layer reference one of the dream's key visual elements.  So does the lovely white marble sculpture, the shape and scale of the seed, and the Florentine mirror.

For the moment this collage is serving as an art journal place-marker.   Have three or four different ideas of what to superimpose on the mirror.  at this point I believe any additional layers - beyond that mirror - will be made with ink and ink-on-ink  OR ink and designer's gouache.  

As the challenge winds down I've begun wondering what I'll choose to share here on this blog once I re-calibrate on the other side of this thing I apparently did during the month of January.  I have a lot of options, really...


Day 27 - results

Gaiaaltar

Today, for a change, I woke up with an idea from the night before which didn't re-invent itself before during or after I made the  collage above.  I've been responding to all the prompts that don't fit the narrative of my Bee allegory booklet within a catch-all art journal.  So I'm pretty sure there will be an additional layer or two of line work using ink and super fine-line paint pens.  Will also connect the free-floating coral-pink negative ions and sentience bubbles in what I hope will be a very cool way.  As usual there doesn't seem to be a lot of grey area.  It'll either work or it won't.  The freeform paste paper cut-outs represent wild rose thickets.   I'll add many more small free-cut stones and maybe some moss.

Although this isn't a realistic rendering of the landscape where it's located my collage is a tribute to my actual gaia altar.  I've kept one for two decades now:  a sacred place to reverently return plant matter used to prepare tinctures, glycerites, flower essences with too many components to successfully return them to the base of each plant where I was guided in my bloom selections. The coarse scrim I use to strain therapeutic oils free of plant matter every late-autumn/early winter  has a few months to weather itself apart before nest-lining birds descend to pluck up every thread. 

The rock is understated and seemingly unremarkable.  We are a likely and lucky alliance.

~*~*~*~*~

Back at the spiffy first-spark of the New Millenium I read Jim Green's FANTASTIC herbal medicine making handbook cover to cover twice in a row.  It's still a favorite of mine to recommend for far too many reasons to encapsulate in this context.   He stressed the belief/philosophy that any tincture, tea, or oil we prepare needs to have its maceration remnants returned to the earth before the herbal healing properties are fully released into the mind and body. Green attributed this equation of reciprocity to "ancient cultures" or possibly some types of shamanism as I recall.  Not sure of the ultimate provenance but I will say that maintaining this practice and being diligent about working with its energy mindfully has also taught me how to plant and harvest and plan in a way that is equally beneficial for All.

If you've not yet seen my group-tribute collage it's right here.