mixed media

Marti Reponds to Recent Events

She Rises When Needed

Martiresponds

grace has also posted about this wonderful work this evening.  Please read her post as well as the first comment which contains Marti's detailed heartfelt explanation for her creation.

 


Day 9 results

Peaceresolvedblg

Am on the brink of understanding how to actualize my idea from yesterday afternoon.  Just need some off-the-burner considering time to pull it closer to the fine-tuning range.  In need of more bumble bee images.  Unsure if I have a forgotten trove in fodder piles or files.  Unwilling to cut into certain guidebooks and bee-centric volumes in my library.

but I did cut the American Toad used in the dialogue prompt from the photo ID section of our Aububon field guide.  Everyone here definitely knows what this particular amphibian looks like.  The creature on the other side lives in places we're unlikely to visit.

Such was my justification anyway ...


both fun & worthwhile

Ritualwheelsbeginning

As we all move closer to a new calendar year I've decided to start broadcasting some creative seeds.  Maybe something I share will find fertile ground in a way that compliments your own creative/ceremonial activities.  Please note that the featured project for this post was conceived and taught by Vanessa Oliver-Lloyd.   Her method for making and filling a pair of wheels to mark ongoing experiences throughout a calendar year served as a free introductory lesson for her year-long Rituals art journaling class.  You can learn more about my creative immersion in this project via an introductory post I wrote for my main blog or by clicking on the alchemical rituals category link in the sidebar here.  Have recently decided to make a similar pair of wheels for the year 2020.  I'm going to use the same size and brand of journal so it will be a literal as well as intentional companion volume to EarthStar Alchemical Rituals. 

~*~*~

The teaching video for my 2018 endeavor featured Vanessa creating two 12-spoked wheels with rapid inky brush strokes.  My wheel on the left, above, embodies her specific guidance generously layered with my own notions and instincts focused on actively building an energetic year-long plan for myself BOOM all within a single art-date at my work desk. Before that, however, I thought about the project both actively and in a more passive "this is also happening" sort of way for about a week.  

note: participants were further encouraged to pick a word for the upcoming year based on individual intuition/introspective wisdom.  I'd already been chosen by this word for 2018 a few weeks before I impulsively decided Rituals would be a positive and grounding experience for me.  STRONGHOLD.  I really liked the way the word held space as a caption below the wheel on the left. Next I created a  phrase to caption the wheel on the right so the overall page design looked more balanced.  My plan was to collage free-cut branches, leaves and flowers from paper scraps.  In my mind's eye I envisioned the barest whisper of wreath-like suggestions encircling each wheel.  Something simple, to allow the wheels themselves to do most of the talking.

Beginningofcollageonwheels

This was ... fun to begin constructing but I could see if I kept going with a doggedly simple evenly spaced ring of decoration it wasn't going to feel or look nearly quirky/authentically self-expressive enough.  Didn't have to think about that at all but simply decided on the spot I'd go for broke in foreshadowing Persephone in Queen of the Flowers mode.  Having quite a plentitude of flower/gardening magazines and scads of seed catalogs available for cutting and pasting, I sensed I'd have no problem randomly collaging flower images throughout the year.  Given Ritual's over-arching theme of promoting high quality ceremony infused self-relationship I further decided to save these specific mini collage sessions for moments when what I needed most was a 15 minute time-out in which to revitalize and flow my way back to a stabilized center of personal gravity.  The few remaining blank spaces will be filled in such a way - when and as

Stronghold

Unfoldingwheel

Bothwheels


invaluable companion

30days

This is the single filled sketchbook I keep in my studio go-bag.  At least that's where it lives when I don't have it out as a reference source for whatever reason.  It's my favorite size of 8 x 8.   I made it using a super-simplified bookmaking technique taught by Mary Ann Moss in her Sketchbookery class.  The method works so well for me that I've been using it ever since. 

30daysinnercover

For about a week this journal was meant to be a colorist exploration of the designer gouache I received as a holiday gift.  But then I heard about Wendy Brightbill's 30 day creative challenge that ran as a free offering of her creative spirit throughout January of this year.  I've taken a number of online painting and collage classes with Wendy and find her to be a very inspiring teacher.   Each day of the challenge she presented participants with a pair of videos.  One featured her speaking in an inspiring way.  Throughout the month she covered a variety of themes integral to maintaining a daily creative practice.  The second video contained process/technique details to match the prompt of the day.

While watching the very first video I impulsively grabbed this volume and repurposed it.  On crisp New Year's instinct I knew this was going to be a process I'd want to preserve in a cohesive and structurally sound way.  Indeed, by the end of the challenge I'd amassed a cohesively strong collection of seed-stage ideas that can be expanded whenever and however I'm moved to explore ... whatever.  By assigning a full spread to each prompt I created a working field  of 16 x 8.  I quickly found I like working on this scale just as much as I like working within 8 x 8 parameters.  I also appreciated that the book signatures were made from high quality water color paper scraps and leftovers.  The quality allowed me a reliable substrate that didn't bleed. The scrap status allowed me to feel creatively resourceful and unrestrained for an average time investment of 20 minutes a day.  This book holds a valuable record of what happens when I show up for myself - on several days, for even half that amount of time  - in order to create in a purely joyful and spontaneous manner.

30daysshamandeet

Above a shaman "older than dirt" awakes from a nightmare in which he finds himself unable to Save The World.  This is the lower left hand corner of the Layers prompt spread. It's an example of the handful of occasions when I had the luxury of moving slowly and with a leisurely sense of time management.  I worked on this one off and on throughout a sunny January day in which I was studio-puttering.  Greatly enjoyed the experience of grounding my time alone & away from family/domestic responsibilities via periodically returning to the work desk to add a new layer of paint or ink.

Campdogs

Above two dogs seek shelter and comfort from each other during the Camp fire.  The prompt of the day was color background.  I had a newly purchased tube of rose madder acrylic paint.  Thought it would be a far darker/more oxidized color based on paint chips.  When I saw this much lighter and intensely red color my brain went straight to those dogs.  I imagined a fragment of their story through inky line drawings with a dip pen; sometimes feathering or widening the lines with a 1/4" one stroke brush.

30daysmarkmakingCU

Above a recurring dream motif from last winter was detailed within the mark making prompt spread.  Used another new tube of paint but this color was a dependable old favorite rather than a startling surprise.